If it weren’t for micro, I wouldn’t be dancing today. Between 2012 and 2014, I had a series of knee and shoulder injuries that left me barely able to walk, and a series of heartbreaks that left me starved for connection. I dragged my butt to events up and down the coast and danced almost exclusively micro for a full year, because I couldn’t do anything else. It was a really dark time for me, and micro was the thing that got me through it. I love the subtlety, the connection, and the focus, and I want to share that with all of you.
Matthew has been dancing fusion and blues since 2012. His love of micro can be traced back to his earliest days of dancing where he used to play around with isolations in solo dancing. In his partner dancing he has long relished dances that emphasize connection and the feel of the dance within the partnership over how it may look to observers.
Emily Rose Phillips
I first started dancing micro in Portland in 2008. It rocked my world, and I’ve been savoring each micro dance ever since. To me, it’s like turning down the volume on the rest of the world. And in that space, can make you feel like you’re a part of the music. I like micro so much that I eventually started leading, only so I could micro more often. Emily started and runs the BAmF monthly event on 2nd Saturdays. I am over the moon excited about BAmF and can’t wait to micro with you!
We have endless gratitude to Steven Yang (2016 & 2017) and Adrian Cousens (2016) for all that they have done historically to make this event a reality.
Language Clarifying the Mu